sitting at the newsroom desk, with his back to the camera (5 minutes).The Cameos 1920s The Lodger: A Story of the London Fog (1927) But by now it's a rather troublesome gag, and I'm very careful to show up in the first five minutes so as to let the people look at the rest of the movie with no further distraction. Later on it became a superstition and eventually a gag. was strictly utilitarian we had to fill the screen. Speaking to François Truffaut in the 1960s, Hitchcock said: When I do, the cast, grips, and the camera men and everyone else gather to make it as difficult as possible for me. It isn't that I like the business, but it has an impelling fascination that I can't resist.
Since then I have been trying to get into every one of my pictures. It wasn't really much, but I played it to the hilt. I was in for a few seconds as an editor with my back to the cameras. It all started with the shortage of extras in my first picture.
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